that Godard because of its Anti-Zionism was recently attacked by various critics, is not completely out of thin air. However, there are less in this context referred to passages from "Here and Elsewhere" (1976) or his latest film, "Socialisme film" because the Palestinian struggle against Israel or the history of Judaism are not there without reflection or treated on one side. What Godard in this case was fatal, its policy of "one + one", an image to combine with another to see it and see what happens. blend to a photo of Hitler with the Golda Meir, is impossible at first glance, is in "Here and Elsewhere," but not a comparison (which is one of the other), but is there in connection with the question whether one can do that and what would come out here (and yes the comparison is not Godard's invention, but he shall, on the level of image politics, what this means for comparison at all). Of course you can do well with this section and without much knowledge of the film review. Like the argument in this case also be incorrect, it shall nevertheless not innocent. Godard would end the 60 not always so loudly railed against Israel, the films would not be understood as a political issue but as a contribution to the discussion. The Godard anti-Zionism was unbearable, how the next document, an excerpt from TV 1969 may see. It is interesting, however, that the guy on TV he actually issued the check, that his colleagues from the Groupe Dziga Vertov do willingly what he says and what Godard actually under collective work understood: he speaks and the others are symbolic, as image for the group.
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