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Finally ....

again what I have to show ...
I admit is not too much at the weekend were ... after it caught me somehow and I could talk Saturday and Sunday only bad I was somehow not to scrapbooking ....

But for the new challenge of STMG but then I got a layout done. No wonder, with the text. Today looks absolutely drop by on the side ... It's worth whatever very ...

Uses I then also the goodies brought by the CHA and the Tina Mireia have .... simply too good to long in the closet .... rumzuoxidieren

Material:

Fancy Pants - It's the little things - Honeysuckle

Fancy Pants - It's the little things - Cards

(both available in the near future Scrapbook Workshop )

the rest from my stash

So and now to the news .... I hope you do not believe that there is something else special ...
I had in my euphoria just kind of what's going to be: o) and since it is established only since Friday, I could not say more ...

attracts Berger family around ... daily after one year of total of 3 hours to work and thus little time isses now finally .... we move to near Heilbronn, (that is, Julie away more in your vicinity, as further o))
The apartment is absolutely gorgeous and totally central - not like here in the A. ... the world .....

Hach and because I'm so happy just had to get out - I hope you're not so disappointed.
In May we can start from there and I think I'll annoy you with photos of colors, furniture and so on ...

Soderle I'm working again .....

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interlude

or everyday wheel off and leave. I have just made.

Gedankenkarussel disengaged from the everyday thoughts and events. It should be as I had changed my mind imagined, and so letting go of ideas of how what has to be.

I have been sitting in the kitchen the window was tilted and I heard for the first time this year, aware of the blackbirds in their evening song to. How long I have not heard. They sing from the early spring, like the winter is almost over. The new life is visible. Sometimes it is more than beneficial, all sources of noise coming from the power grid, and off to send away his daily thoughts. And if it's only for a few minutes. Then you are connected again with what is.

Everything is the same and not just what you're thinking or feeling. A reassuring finding. At least for me.

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The thing with the knowledge

You know it actually before that. However you set the lens of the illusion on the nose and look only through them, because there you only see your images, and not what is real.

addition there is the hope that it could run with you otherwise.

After a while you realize that the pictures, despite glasses are sharper and show you that you're on the wrong track. Internally you resist to accept a little bit, but experience has taught you, now the point come when you have it in hand, continue to run into a dead end, or reverse

Knowledge has to do with me always to do with a painful inner feelings. Then I am ready to sell the glasses and see what it really is. I am a dreamer and I will probably always remain. But dreaming is just too beautiful.

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* since 1951 *

are the grandparents of my husband married ... almost okay. Isses until the end of March so far ....
But one reason for a layout isses won already. And the photo has

me so - because that had to be easy ...

I used the ingenious March Scrapbook workshop kit that can be bought in March. At least
Tues sweet rose page in the background ...

As always, I am sometimes away ... grins

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plays something completely different ....

is this card ... but no one has even said that this is only a Scrapblog ...

My dearest colleague (woman waving K.) had her birthday .... and special ladies need special card ... because I think with flowers and so I would not have arrived very well.
Luckily, the lady worth a passion ... I got me caught and then immediately converted to map ...

Since the subject is not on scrap paper is - to at least I do not - it was himself to resort to pencil and colors ...

I think it has arrived quite good ...

Soderle in that sense, I'm actually even gone.

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supervisor foot

The receptivity of the great masses is very limited, but few understand it , r but the forgetting is enormous. From these facts, all effective propaganda has only very to restrict few points and to use catchwords so long, until the last determined under such a word to what is desired can imagine

From time to time I like to watch in the collection of quotations on the web.

Today I have brought with them. This is from Adolf Hitler, who as we all know, has understood very well to have the mass under control.

I realized it again, we can not be too careful, with the recurrent messages that the media want to foist Sun think and judge for yourself

helps better in such cases as a parrot. But whom do I say this

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The Berlinale continues

Sometimes it is strange that it works at all. You sit on a film after another, and yet takes from you and to participate in fate - whether real or fictitious first matter - is so taken and moved that formal or substantive questions arise later. The revenge of the cinema at this "false empathy" were for Godard (in the "Histoire (s) du cinéma), the newsreels of World War II, in which the cinema now asked real pain and real tears. In the case of Libya, but there is little such images, and those who are wise, absurdly, back to the cinema universe, on films where we actually went out not from a direct reference to reality. The two sections, in which Muammar al-Gaddafi speaks out on current events and to remind the assembly of al jazeera me more of the recently concluded Berlinale as a non-cinematic reality as otherwise reported. The interview with an umbrella in the car and the speech from grungy backdrop that is "Os Resident", only not as colorful or equal to "La Chinoise". The two settings near the alleged dissidents that is still in the Benning. And the concert is the festival circuit. But as harmless, it is natural Unfortunately not. And this is also the terrible to al-Gaddafi, who is the most bizarre ruler of the North African countries - but also one of the most cruel. Or, as Fuller says: "Life is in color, black and white is more realistic."

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I & S * brat *

As of March it is the genius of Monatskit Scrapbook Workshop to arise again.

I've had even a bissel gewerkelt and can report that it is very awesome for cards inclined ... and for spring photos and birthday party photos and pictures and pictures of summer and even more cards and boxes and little boxes and ....

even for quite "colorless" layouts .... grins

Material:
background (power and delicate striped paper) from the kit
Band: Pink Paislee - Rest of the Parisian Anthology
from my stash

And some cards have also been developed ...

And because of the news .... Girls like that ... not bad isses and it only has something to do with Berger, not scrapping or so ....

Opening Waxing Business At Home

We know you have to remember these images ? Our Christmas photos? Since there
was also one of the shows I do not under threat of penalties could most common ....

Hach but I would not if I Menne woman had not persuaded ... are now is the photo and a layout with it ... hach ick Menne told you love .....

And then here is also still the same to the layout, again with the great new paper by the CHA (Stella & Rose Mabel - Play - there are very soon in the shop )

Soderle I'm out almost in bed .... Processing the news of which I can then hopefully tell you soon (no I am NOT pregnant !!!!!)

Deathwatch Robb White Chapter 3

Unordered observations at the Berlinale 2011

If the Berlinale is near the end and the first films that have been seen there, in the memory again already fade crystallized, often turn out a theme or a theme that several of the films seen with each other. This is of course purely by chance, probably not intended by the festival and depends strongly on their own, subjective Movies, relaxes so often about the different sections. This year there are "disordered observations" benefit, in many of the movies seen by me, the aesthetics, the action, or both. Not all successful films can be subordinated to, but it is an appropriate way to write about the Berlinale, to list just one movie after another, assess and then to complain about Kosslick.

window to the world

The motto of the Berlinale film was Thomas Imbach's "Day is Done" . Almost two hours will be here looking out the window, but not just a place, but to very different places and times, the whole times arranged thematically and sometimes arbitrary. Only in the second half of the material binds slowly to the audience, if you can match the experience of 15 years, records of the answering machine, which can be heard on the soundtrack, and even bring in a sequence, resulting in the observation also extends to the author Imbach, namely the fact is at the center. The appeal of the disordered observation is, among other things, that mitpuzzlen itself has to work with the film. The metaphor of the window to the world that is often for the cinema gets, here's a new twist, as Imbach camera is not the transparent medium, which releases the clear view of Zurich, but in the window glass, mirrors the Imbach tightens again and again and focused.

One of the masters of light, is like the way collect observations Jonas Mekas , who for several decades makes a kind of notebook films in which he of himself, his family and Friends told. The starting point is time (in "Sleepless Night Stories" ) a jet lag, which is why he can not sleep and sweeps around in his apartment. He then visits his friends, who tell him sad and funny stories: Marina Abramovic, Ken and Flo Jacobs, Yoko Ono, Jean-Jacques Lebel and Louis Garrel. As in his other films, Mekas is looking for the intense moments that make up life, whether tragic or happy. What is new is the video format. The intractability of the 16mm material had favored a stronger focus is now with video sometimes for minutes filmed a show or scroll through a book. The lightness of the drunken Film but does not diminish. The disorder is here both in the picture (the camera is simply stood up somewhere, often obscure wine bottles or glasses of the people) and in the assembly - will a degree do not find it, keep coming back settings that would be a great final word, it but do not yet - as I am moving ahead ...

Conceptually, it is already at "The Host and the Cloud" by Pierre Huyghe . The video is available as Huyghe documentation of an action that in three days - Halloween, Valentine's Day on 1 May - in an old museum was carried out. A documentary, it is Fortunately not - or only in the sense in which the films of Matthew Barney is a documentation of his sculptures. We see black masses, hypnosis, Models, Orgies, a pawn and a digitally animated alien that eats subtitles. The actions that take place throughout the Museum in parallel fandein place without spectators, and were staged for the camera and then cut into a kind of parallel montage. There is no narrative there, but gradually we notice what's up with the documentation on the character: it is a documentation of the room. Events and emotional states, which has saved the space and then releases. Projections of the area are that, ultimately, just as synthetic as the Alien and the subtitles.

The digital Alien in a model landscape in the film "The Host and the cloud

There was also a" real "documentary, at least on the image plane rather loosely put together observations: In "Territoire Perdu" (B 2011, Pierre-Yves Vandeweerd) deals with the expulsion and discrimination against the nomads in the Sahara. The filmmaker has to interviews with stakeholders (and Survivor ends) out, which can be heard in the off, while Super-8 images are shown in black and white - of camels, the Landscape and its inhabitants. A powerful film on the subject - with a few synchronous points.

Territoire Perdu

pairing in competition

My motto for this year could also generally available for the movies in each section. One must not, as in many criticisms of each film are gathering, not one has fallen, but overall the profile of the Berlinale and the individual sections become more complex over the years. The films are not worse than in previous years and certainly not in Cannes or Venice, but arises in Berlin more and more the impression of a general store, where it now is also not easy to keep apart the different sections. The panorama is more like a lottery than ever event of genre films from around the world, and documentation that were probably taken only for Berlin's trendy crowd. One or two decent crafted European auteur film is also still scattered, overall the risk in this section, but still very large. Programmatic absolute low point is surely "Tropa de Elite 2", the second part of the Berlinalegewinners two years ago. Bad enough that now have sequels made to the program be, "Tropa de Elite 2" is also one of the most successful Brazilian films of recent times. Sure, the Forum continues to be the most interesting section to discover films, since the experimental spectrum is clearly at the greatest, but just one of the main elements, namely the Asian cinema, this year was represented mainly with films by directors who are not yet the thirtieth year had begun and in their stories often similar and should therefore be in the memory of not only each other, but also mingle with the equally similar films of last year.

and that the competition is great Names are missing (the author of world cinema, not the stars), it has been written in advance already. But as I said, the concerns on the whole, the profile of the festival - are interesting films it anyway.

In competition, it is natural for regular. With "The Future" Miranda July has tried to make a film about perspective and non-driven mid-thirties. She would like to also tell about observations and transfer the pending situation of the protagonists on their film by the material fits together in a loose sequence. This can it is not. Instead, we see at any point in just a decal of the now grown-up slacker from the 90s, each image is a cliche, including the first: the couple sitting across on a sofa, both with Appel in his lap, a small apartment in Los Angeles, all a bit messy. As the catalog of indie-friendly life.

was within the competition this year, so to speak, again a sub-motif of the dead-couple. The direct counterpart to July was the korean post ( "Come Rain, Come Shine", 2011, Lee Yoon-ki ), a pair for a few hours in the afternoon shows in her apartment. (In both films the way a cat plays an important role.) It is just about to separate, together they sort their stuff. The only mistake that this is for the most quiet and contemplative film critics, is that his pictures are neat. The design of the protagonists from fetish and exposed to too much and admired by the Kamerea.

In light of the perspective-free pair-film it gave me some pleasure, and think with the competition entry "The Turin Horse" by Béla Tarr in this sequence. The couple is indeed father and daughter, but boredom and the absence of perspective are also hallmarks of the relationship. Tarr's film observes the competition certainly most of all. In long uneventful settings you followed the monotonous daily life of the two protagonists. The pictures are as always beautiful. But even here, as would the entire Contest you done something more disorder certainly good.

tell in details

One of the films is certainly disorderly "Os Resident" by Tiago Mata Machado . A kind of collective attempts to beyond rationality and recoverability trimmed lifestyles utopian counter-reality to formulate. They also make art, but which may consequently make no sense and therefore is often like casual performances (cycling in a circle, painting walls, windows bricked up, pubic hair cutting). The film does not try to film these utopias merely (he recalls the way in its color and vibrancy of the characters in Godard's "La Chinoise", in 1967, but much more the filming was arrested as "Os Resident"), but denied also a clear narrative. The various actions are strung together without comment, to prevent the consistent high aesthetic quality of the performances and the images but falling apart.

Os Resident

The close-up or was close to setting this year one of the most stylistic features stand out in the section of the forum. In "Os Resident" the camera is always close to it, drives and swings with and in spite of the numerous improvisations always amazingly well on the point. Also in "Brownian Movement" (NL / D / B, Nanouk Leopold) and "Eighty Letters" (Czech Republic, Václav Kadrnka) is told mainly through the close-up. That says a lot about the person in the film, which he sees close-ups, as well as their viewers the context to connect to the hors champ is missing. In "Brownian Movement", it seems the protagonist like a nightmare when she suddenly meets her lover in a full form in an unexpected place her - before she had seen him only in the details, not a real person. Un in "Eighty Letters", the most beautiful film at this year's Berlinale reflects the twelve year old boy for the elusive red tape and complicated Plan to leave his mother in the close-ups of bureaucratic materiality, upholstered furniture keys, door handles, steps, and threadbare. At one point he saw a drawing of the continents and how they had once been joined together into a single large plate, before they split themselves. The boy is fascinated by the idea of the world puzzle, so intractable as the assembly of the eggshell, the leaves are sitting next to the bank. The detailed observations of the film takes the puzzle of his convincing formal correspondence. (Just not in the awards, all films were mentioned here forum, despite the numerous awards the prize of not empty.)

Window Festival

The King of observation is certainly James Benning. For more than ten years he has been with his conceptual landscape films represented in the forum. Untidy here but nothing. In three-or ten-minute shot Benning filmed a special landscape ("El Centro Valley") or a specific theme ("13 Lakes"). His films always on the observation that the film image, but also the time and is still strongly observed when viewing. In his two films with ten minutes settings , "13 Lakes" and "10 Skies, Benning drives this type of filming on the top. In particular, the ten quarters are something of a zero point: here, only excerpts from the sky filmed, permanent change in image as well as in a digitally animated film, there are no fixed points more, and so can the framing based on nothing more the screen dissolves gradually. Since then, Bennett has changed with each new film: In "RR" is about the movement in the image by passing trains are being filmed, and since "Ruhr" (2009) Benning filmed on video. In "20 Cigarettes", which this year was seen in the forum, he now focuses on people for the first time on camera. 20 times smoking friend of Benning without cutting a cigarette end. The setting size is also very unusual for a close, which is hardly seen anything from the environment, many of the settings are also filmed indoors. The people are right in front of a wall, a fence or a bush, the focus is always on the background so that her face is not quite as sharp as the background. Only the ninth-smoker, the artist Sharon Lockhart, has nothing but the sky in the back, so it is also the only one that now and then turns back. The setting has also shot down slightly from what they can with the sky appear a bit more majestic than the other smokers, as would they come from a film by Terence Malick. And that's the interesting part of the experiment that one quickly, despite the limited information it is to interpret the smallest clues and narrativisieren. Each setting will thus own a movie. For example, in the smoker, number 14, the fastest and smokes in the green nail polish from her fingers as well as the paint peels off the fence behind her. This is "20 Cigarettes" is the perfect commentary on the festival: it needs neither spectacular nor terrible events stories to tell or something to have reports, it is only on the frame. This is no order in the assembly of the material is identified, supported subjective Narrativisierung Moreover, the patterns are overly prejudicial. And for such films in the framework of the Berlinale in the Forum does, fortunately, still. Last year "Nénette" by Nicolas Philibert, filmed the whole movie in which an orangutan in the Paris Zoo and was also a reflection about seeing in the cinema was created. Writing about parallels of orang-utans, and smokers, I will refrain from doing now, watching both be just fine.

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resignation kopfschüttel

Who then is the entered to Guttenberg's tail, that someone so busy meticulously with his thesis?

He has forgotten that the references, so he should resign now? I touch my forehead.

When I think of the missteps of past and current politicians, but because there was some better arguments.

What about Berlusconi? The women now make some process, I would say at last.

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Map of yesterday ....

evening from Scrapbook Workshop Forum I wanted to show you more ....
The card was made for the 2-weekly cards inspiration - maybe some of you have more leeway to desire - then you can watch here login and immediately get started ....

Soderle I'm working again ... I wish you what.

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time for new plans

The current quality of time is calling for new action. I feel formally the energy that is waiting to be used to implement new plans into action.

It is embracing change, out of old shoes and see what new waiting for us.

all who have not yet married, or were afraid to start something new, should be today and tomorrow again concretely bear in mind what they change in their lives mö ; want.

waiting What have long pointed out that you start it? Where

expresses the soul, and waiting, that you regularly revising the what torments you so long time and no longer fits you?

Better You do it voluntarily than to wait until life brings about the change that you have not wanted.

I wish you the courage to set sail for new shores now.

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Today I must ....

work again ....
But first I want to make a posting here ....

I have surprisingly little scrapped - or rather surprisingly little done.
Every day a layout ... Well somehow it would be more which I may have Tina and Mireia left there by the CHA at the goodies.

I once again worked with the great papers from My Minds Eye Stella and Rose.
And the great new FancyPants papers .... hach
The papers are forthcoming in Shop - besides customs do not like to give up because they are so beautiful ... grins

Material:
Background Paper: MyMindsEye - Stella & Rose - Mabel - Joy ( from scratch by the CHA)
6x6 Papers: FancyPantsDesign - It's The Little Things (brand new from the CHA)
JournalingPad: MyMindsEye - Stella & Rose - Mabel - Play (brand new from the CHA)
cake top, acrylic paint,
Stamp: MyMindsEye - Stella & ; Rose - Mabel - So sweet (from scratch by the CHA)

But doing nothing I was on vacation and not ... I finally, finally, finally put photos on my other blog ... But this was really about time .. So if you like watching that can like here ....

Soderle I'm off to work ... until tonight to map task in Forum .....
I wish you what.

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memories and fungal Finder

Let's start with the memories.
Celine asks on her blog after photos of children .... I have a favorite photo, since I was three or so. And so
süüüüüüüüüüüüß (self-praise stinks I know but I believe there are also real terrible photos of me as a child)

Well so I dug it out once and share it now with you and Celine ...

And then I have - how should it be different on holiday - scrapped ...

again with the brilliant papers from My Minds Eye, the Tina and Mireia have brought from the CHA ..... that there will soon be in the shop ...

background paper: My Minds Eye - Stella and Rose - Mabel - Love Letters

So today yet - tomorrow I go back to work - then leave the rest of rum .... .

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You do not have the life

You have to understand that life is not, then it will be
as a party. And let

happen to you every day as a child as they walked by each labor
give many flowers can be.
you pick up and save, not the child
comes to mind.
It removes them from the quiet Hair, they were trapped inside
so much, and love
holds out for new young
his hands.

Rainer Maria Rilke

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zombies can not dance: Zombie Brain specialist Frank G. interview to "The Walking Dead"

Halloween 2010 ran in the U.S., the long-awaited series, The Walking Dead 'to, produced by AMC and first six episodes created. The pilot was directed by Frank Darabont, who also is producer of the series, and the success of the first season was overwhelming. We spoke with Frank G. zombie specialist brain about the series.

can you tell us something about the comic, which has underpinned the series?

The series is based on the eponymous comic book series by Robert Kirkman, who is also very successful, it is now one of the hundredth episode. Now were even the first volumes reprinted. As a concept, the comic was the beginning of a zombie series, which should preferably run continuously, without a title the rolling of credits should pull out of the event. So far they have managed this quite well.

You have to talk to the TV series and briefly about the comic, because without the success of zombies and the comic in detail, would not the TV series, especially with the effort have been possible. Kirkman is not much of a newcomer in the field of zombies, as author, he has already created the Marvel Zombies: they are there to over-zombies that are no longer save the world eat, but. This is the best what has been come to me in recent years about zombies. For one that's extremely funny, it also offers a truly new aspect to the issue, as the Marvel Zombies are the stars of the series. Zombies are so often something of a natural disaster, ie, they are the trigger for the whole horror, but not the protagonists, partly because they can not talk. The Marvel Zombies, so Hulk, Superman and Co reflect on their situation but the whole time. They are torn between their desire to eat, people and their traditional task of saving the world. "The Walking Dead", however, is quite ironic free and offers virtually no innovation in terms of the zombie theme. Well but made no surprises.

And what do you think of the TV series?

The first season focuses already on the first episodes of the comic, but also scatters some variations, which I liked. Also, that the series was produced very complicated, is not bad, but ultimately it has the same problem as the comic book: it lacks the particular, as the Zombies are used. That's why I'm exited after the fourth episode, you're so happy with everything that you need not look at themselves. The problem is that the concept is not a standard concept. In the comic, it does not matter, but in a series but I need different characters, which contribute independently to enrich the history and various aspects of them. With the Sopranos Tony is indeed the boss, but always assume his wife, children or relatives of the action. Or "The Wire" as the protagonist disappears in Season 3 and 4 almost completely the opposite pole moves to the cops in the first three seasons completely. Even a mediocre series like "True Blood " makes the front very nice, HBO has perfected.
If I only have a main character like Dexter, you must at least be created very complex, and Dexter is there already a multiple personality. In "The Walking Dead" I do not see it though. Although they strive to construct parallel actions, but ultimately we have only the body of the Dead and the group. And single individuals of the group are all clichés: the good and the nasty man, the faithful wife and the cool, children, elderly with life experience that younger people who are particularly clever. This is also one of the main problems of the comic. And, there are at least now and then ugly and unwashed in the series, the young women who are not bound, as always peeled from the egg, perfectly coiffed and such.

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And what about zombies? What are the in "The Walking Dead"?

They look great, especially from. The zombie make-up is quite large. I also like how they move, the slow, wait-and shuffling around.



There are at last again slow zombies?

No, not really. If they see a human, then they are already fast and run up to him. But not faster than during his lifetime. It is people like you and I do not like Ben Johnson's "28 Days Later". They also remember the zombies from the first Romero, Night of the Living Dead ", as some may also use tools. The zombies are not quite as blunt as usual

An interesting variation also ...

Yes, it is. Pity is that not happened. One can now seems to make no more zombie movies, which takes itself as seriously as "The Walking Dead" and offers so little on the metaphorical level. The last Romeros are ironic reflections about the fact that the zombies are really the livable community. And then there is indeed still the subject of the mirror, that in the blind compared to detect and is also why the death attracted again and again. Even such a boring and less interesting film like "battering ram" is indeed the interesting aspect is that you can delay the zombie virus with sedatives and therefore extend the moment of transformation significantly. In "The Walking Dead" is so far the only attraction, the mixture between the places where many zombies show up and still others completely empty seats. That's especially Atlanta also made really nice. The empty streets and then one turns the corner and there they all are - very impressive and from a bird's eye view ...



What do you think, how successful is the TV series have?

First, it is certainly still good. There is the successful presentation and the extreme expense of the first episode. This could even for a few seasons rich. However, one must also see that the first season consisted of only six episodes, and I think the potential is exhausted quickly. I think, see you there soon enough, because simply there is too little variety, you would have very quickly deviate greatly from the comic.
Perhaps more to the short opening credits of the series, which is almost symptomatic of the problem of series : Aesthetic is indeed very appealing, there are recordings from the first episodes, The filters were alienated, and the credits are fit very nicely in the pictures. The whole thing goes too fast, could build itself as atmospheric as the what. And then there is no good song, not even a catchy melody. Often you can not watch it. Beautiful pictures, but no groove. Like the zombies that can not dance. A good zombie movie should the notice not one but.

Even more zombie specialists in the interview here: http://www.qhistory.de/2011/01/sendung-12011-wenn-die-holle-zu-voll-ist-die-geschichte-des-zombiefilms/

Images credit: www . amctv.org, © TWD Productions

Marvel Zombies: http://www.myfreewallpapers.net/comics/pages/marvel-zombies-2.shtml, © Marvel